THE JFK COLD CASE DISCUSSION Director: D. Marquiz Thompson
We shot in August. The peak conditions unfit for wearing suit and tie. The heat was extreme under the lamp lights. The subject. He is the culprit, not our filmmaker, who in those conditions, during a break in filming the subject, added in an audio glitch by opening up the window. Even 16 floors up in the high-rise unit, you will hear the streets below. As this film-maker brought the JFK Assassination material found inside the story herein so accurately,we did not see urgency to correct it right away. [In adding JFK Cold Case Discussion 2. We'll promise soon to fix up the audio from our first film.]
Watch the video on YouTube
We shot in August. The peak conditions unfit for wearing suit and tie. The heat was extreme under the lamp lights. The subject. He is the culprit, not our filmmaker, who in those conditions, during a break in filming the subject, added in an audio glitch by opening up the window. Even 16 floors up in the high-rise unit, you will hear the streets below. As this film-maker brought the JFK Assassination material found inside the story herein so accurately,we did not see urgency to correct it right away. [In adding JFK Cold Case Discussion 2. We'll promise soon to fix up the audio from our first film.]
Watch the video on YouTube
THE JFK COLD CASE DISCUSSION 2 Director / Editor: Luke Tarsitano
This is the often delayed JFK Cold Case Discussion #2. This is my overview. This is the coda and follow up to our first. Some older archive footage added on the witnesses. The JFK extra footage was used with permission at IXTLAN. The newer footage on familiar territory with analysis. Information passed down from legends in JFK cold case infamy. Mark Lane, Jim Marrs, and also John Judge. Special thanks to Oliver Stone, and also members of his family, for their gracious+kind support I have been lucky to receive; my thanks to Janet for "her permission." (Janet at IXTLAN gave us the permission to use footage in our presentation.)
The Camera was my first Canon Rebel T-7i which is 24 frames per second video. We used it at the distance of 4 feet away. This was on most segments. In my 1981 Columbia School Of Broadcasting classes (I know my technique was in lower keys), I did that to be assured by my flat-note serious tone more Brokaw-like than Snyder-like. I borrowed the Tom Brokaw tone skipping my Tom Snyder ways that I am better suited. All this approach was to bring reverence and more serious sides into this somber story. Early scenes with witnesses were daylight shooting and much brighter subject fare. Later pieces were dimmer by design shot evenings when street noise in Santa Monica is lower. The yellow light. This is a cautionary conspiracy trail. The dimmer amber-lit bug-lights we chose to be used were mainly for reverent storyteller mode in the home studio like it was somber news I was sharing for the first time. In some ways, it's also like a wake for JFK.
These are high-dosage Michael Gering opinions that I found true after years studying the cold case, looking at all the facts since 1973 after my father Alex Gering and I toured the Texas theatre, retracing the last known free footsteps of Lee Harvey Oswald. Walt Brown promised to send me some books on grammar. David Lifton and Oliver Stone, I have met or admired their work for decades going back to 1978; from my old school days.
I wish I had my cup of coffee with James Di Eugenio before I released this, but I was unable to arrange that, (and) it made my Oswald section more overview coverage; and less detailed. I went to school in a Quonset hut like Gomer Pyle, back in Okinawa 1967, during the war in Vietnam, my father was a sergeant running the mess hall feeding the troops during that era. Daniel Boone Fess Parker flew in by helicopter visiting us at my Moshinato school at the time. Surely, both Walt Brown and James Di Eugenio will supply the correction table on this lecture. (I will have to agree to their critique. I was less of a student more of a gambler for many years.)
In my best effort I applied the layman's clause for let's go where the evidence takes us and let's go where the evidence leads us. I think that sentiment is inclusive, here. I put away all my vices to focus on my first Graphic Novel--THE BEACHCOMBER. This is my take on this subject matter which has not been properly settled yet. (In this JFK cold case trail all of us recognize so much more work is yet to be done.)
Michael Gering
October 17th, 2019
The JFK Cold Case Discussion 2 (1 hour 30 minutes).
Watch the video on YouTube
-----------------------------------------------------------------------------------
Special Thanks To Robert Inadomi and Jeff Hall for all your support.
Special Thanks To David Milch who said "it's a very ambitious book."
-----------------------------------------------------------------------------------
This is the often delayed JFK Cold Case Discussion #2. This is my overview. This is the coda and follow up to our first. Some older archive footage added on the witnesses. The JFK extra footage was used with permission at IXTLAN. The newer footage on familiar territory with analysis. Information passed down from legends in JFK cold case infamy. Mark Lane, Jim Marrs, and also John Judge. Special thanks to Oliver Stone, and also members of his family, for their gracious+kind support I have been lucky to receive; my thanks to Janet for "her permission." (Janet at IXTLAN gave us the permission to use footage in our presentation.)
The Camera was my first Canon Rebel T-7i which is 24 frames per second video. We used it at the distance of 4 feet away. This was on most segments. In my 1981 Columbia School Of Broadcasting classes (I know my technique was in lower keys), I did that to be assured by my flat-note serious tone more Brokaw-like than Snyder-like. I borrowed the Tom Brokaw tone skipping my Tom Snyder ways that I am better suited. All this approach was to bring reverence and more serious sides into this somber story. Early scenes with witnesses were daylight shooting and much brighter subject fare. Later pieces were dimmer by design shot evenings when street noise in Santa Monica is lower. The yellow light. This is a cautionary conspiracy trail. The dimmer amber-lit bug-lights we chose to be used were mainly for reverent storyteller mode in the home studio like it was somber news I was sharing for the first time. In some ways, it's also like a wake for JFK.
These are high-dosage Michael Gering opinions that I found true after years studying the cold case, looking at all the facts since 1973 after my father Alex Gering and I toured the Texas theatre, retracing the last known free footsteps of Lee Harvey Oswald. Walt Brown promised to send me some books on grammar. David Lifton and Oliver Stone, I have met or admired their work for decades going back to 1978; from my old school days.
I wish I had my cup of coffee with James Di Eugenio before I released this, but I was unable to arrange that, (and) it made my Oswald section more overview coverage; and less detailed. I went to school in a Quonset hut like Gomer Pyle, back in Okinawa 1967, during the war in Vietnam, my father was a sergeant running the mess hall feeding the troops during that era. Daniel Boone Fess Parker flew in by helicopter visiting us at my Moshinato school at the time. Surely, both Walt Brown and James Di Eugenio will supply the correction table on this lecture. (I will have to agree to their critique. I was less of a student more of a gambler for many years.)
In my best effort I applied the layman's clause for let's go where the evidence takes us and let's go where the evidence leads us. I think that sentiment is inclusive, here. I put away all my vices to focus on my first Graphic Novel--THE BEACHCOMBER. This is my take on this subject matter which has not been properly settled yet. (In this JFK cold case trail all of us recognize so much more work is yet to be done.)
Michael Gering
October 17th, 2019
The JFK Cold Case Discussion 2 (1 hour 30 minutes).
Watch the video on YouTube
-----------------------------------------------------------------------------------
Special Thanks To Robert Inadomi and Jeff Hall for all your support.
Special Thanks To David Milch who said "it's a very ambitious book."
-----------------------------------------------------------------------------------
ITSALLARTS VLOGCAST EPISODE: MICHAEL GERING
D.MARQUIS Catches up with Author MICHAEL GERING (THE BEACHCOMBER) to discuss how things are going since the release of his novel.
Watch the video on YouTube
D.MARQUIS Catches up with Author MICHAEL GERING (THE BEACHCOMBER) to discuss how things are going since the release of his novel.
Watch the video on YouTube